In these videos, we take on the construction of a classical tutu skirt. It’s so important to have a well-fitting basque and panty for the base of any tutu. Costumes that are especially used for partnering take a lot of abuse. Laying the foundation for a quality made costume will allow it to perform for years to come. We will make the classic tutu skirt using the new extended height basque pattern (2300) from Tutus That Dance, and also add a few different ruffling techniques.

For every ballerina, wearing a professional tutu is something to be very proud of. It is what every young ballet dancer hopes to wear after being awarded their pointe shoes. The tutu is finishing touch that allows the dancer to transform into their character role.

In these videos, we take on the construction of a classical tutu skirt. It’s so important to have a well-fitting basque and panty for the base of any tutu. Costumes that are especially used for partnering take a lot of abuse. Laying the foundation for a quality made costume will allow it to perform for years to come. We will make the classic tutu skirt using the new extended height basque pattern (2300) from Tutus That Dance, and also add a few different ruffling techniques.

For every ballerina, wearing a professional tutu is something to be very proud of. It is what every young ballet dancer hopes to wear after being awarded their pointe shoes. The tutu is finishing touch that allows the dancer to transform into their character role.

In these videos, we take on the construction of a classical tutu skirt. It’s so important to have a well-fitting basque and panty for the base of any tutu. Costumes that are especially used for partnering take a lot of abuse. Laying the foundation for a quality made costume will allow it to perform for years to come. We will make the classic tutu skirt using the new extended height basque pattern (2300) from Tutus That Dance, and also add a few different ruffling techniques.

For every ballerina, wearing a professional tutu is something to be very proud of. It is what every young ballet dancer hopes to wear after being awarded their pointe shoes. The tutu is finishing touch that allows the dancer to transform into their character role.

In these videos, we take on the construction of a classical tutu skirt. It’s so important to have a well-fitting basque and panty for the base of any tutu. Costumes that are especially used for partnering take a lot of abuse. Laying the foundation for a quality made costume will allow it to perform for years to come. We will make the classic tutu skirt using the new extended height basque pattern (2300) from Tutus That Dance, and also add a few different ruffling techniques.

For every ballerina, wearing a professional tutu is something to be very proud of. It is what every young ballet dancer hopes to wear after being awarded their pointe shoes. The tutu is finishing touch that allows the dancer to transform into their character role.

This course deals with the mass produced tutu from China. We break down how these tutus are constructed and show how a few fixes can be made to help these tutus fit your dancers. We also test the flammability of a few different nets.

This course deals with the mass produced tutu from China. We break down how these tutus are constructed and show how a few fixes can be made to help these tutus fit your dancers. We also test the flammability of a few different nets.

This video course walks through making a plate for a 2 piece costume. The skirt was once used under a longline Russian Academy tutu. I use the concentric circles mat from Tutus That Dance to lay out my design and sketch it onto a piece of net. Appliqués are then free-motion stitched to stabilize pieces of fabric to create the petalled design. A mock basque was created and the new plate was incorporated.

This video course walks through making a plate for a 2 piece costume. The skirt was once used under a longline Russian Academy tutu. I use the concentric circles mat from Tutus That Dance to lay out my design and sketch it onto a piece of net. Appliqués are then free-motion stitched to stabilize pieces of fabric to create the petalled design. A mock basque was created and the new plate was incorporated.

This video course walks through making a plate for a 2 piece costume. The skirt was once used under a longline Russian Academy tutu. I use the concentric circles mat from Tutus That Dance to lay out my design and sketch it onto a piece of net. Appliqués are then free-motion stitched to stabilize pieces of fabric to create the petalled design. A mock basque was created and the new plate was incorporated.

This video course walks through making a plate for a 2 piece costume. The skirt was once used under a longline Russian Academy tutu. I use the concentric circles mat from Tutus That Dance to lay out my design and sketch it onto a piece of net. Appliqués are then free-motion stitched to stabilize pieces of fabric to create the petalled design. A mock basque was created and the new plate was incorporated.